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Antonio
Margheriti began his directing career with this Science Fiction film
written together with Ennio De Concini: "Assignment
Outer Space". Fantasy or Science Fiction was an unusual
genre for the Italian movie production at that time, in fact, except for
some comedy, only another Science Fiction film was done before
this: "The death comes from Outer
Space" by Paolo Heusch (1957).
"Spacemen represented a sort of gambling bet. It was a genre that
I've always loved, and I wanted to demonstrate that also in Italy it was
possible to make films of the fantastic genre, different from those that
we used to produced in those years." in fact, Antonio would
use all his imagination in order to realize this film, which had a very
small budget. Less than 30.000 US$, and it was completed in 20 days,
including the special effects. Margheriti also made with this opera his
first experiment of "contamination of kinds", a
peculiarity that is in many of his films and for which he would become
famous, mixing the Science Fiction with the Western and the adventurous
and pioneeristic genres. Reading the story it is easy to recognize
the similarities with other films which, many years later, will re-write
the history of Science Fiction movies: The relationship amongst man and
deep space, and amongst man and computer, with the computer that takes
control of a spaceship to complete his mission, like in "2001
A Space Odyssey" by Stanley
Kubrick; or the similarity of
the entire story with "Marooned"
by John Sturges; and to end, the small corridor in the space that the hero
crosses to reach the heart of the spaceship and destroy it, which
resembles the small passage of the "Black Death" of "Star
Wars" by George Lucas. All films that will be produced
many years after. The
film was produced by Turi Vasile and Goffredo Lombardo for
Titanus, which,
seeing the excellent results of the film, decided to distribute on a large
national scale. Using the following advertising: "No scenes of
this film are located on that planet of the Solar System known with the
name of Earth". The film was a big success, getting also some
very good critiques and reviews. Excellent were also the sales to foreign
countries, especially the American market, where the film gained the favor
of the public. This success consecrated Antonio Margheriti as
director and special effects expert, opening a path for other, and
foreseeable, productions of the same kind. Edoardo
Margheriti
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Technical
Data
Title
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Assignment
Outer Space
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Aka
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Spacemen (ITA)
- Le vinqueer de l'espace (France)
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Genre
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Science Fiction
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Year of Production
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1960
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Time
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98'
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B/W - Color
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B/W
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Distributor
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Titanus
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Produced by
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Turi Vasile for
Ultra Film - Titanus
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Director
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Antonio
Margheriti with the pseudonym of Anthony Daisies
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Story by
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Ennio De Concini
(Vassilji Petrov)
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Screenplay
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Ennio De Concini
(Vassilji Petrov)
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Photography by
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Marcello
Masciocchi
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Art Director
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n.a.
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Editor
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Mario Serandrei
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Music by
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Lelio Luttazzi
(J.K. Broady)
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Cast
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Rick Van Nutter
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Role
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Roy Peterson
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Gaby Farinon
(Gabriella Farinon)
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Archie Savage
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David Montresor
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Anita Todesco
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Alain Dijon
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Josè Nestor
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Story
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By:
Edoardo Margheriti |
Year
2000, the conquest of Space becomes a reality. Space satellites orbiting
around the Earth, and Human bases on other planets of the Solar System,
open the path to the explorers of new worlds. Roy Peterson, (Rick Van
Nutter) a young reporter is sent to the space station BZ-88 to
write an article on the "Spacemen," persons trained to live in
space on board spaceships. There, he discovers that Alpha 2, an
interstellar spaceship with a fotonic propulsion engine, after the death
of the entire crew, is now controlled only by the computer, and is
returning to Earth with the risk of a collision. The spaceship is
inaccessible, because of the fotonic radiations generated by the engine,
and the only way to save the planet is to destroy it. Many attempts are
made to disintegrate the spaceship with atomic missiles from other
spaceships, but they do not succeed. Our heroes discover a thin corridor,
between the deadly radiations, from which the ship may be reached,
but it is very narrow, too small for a spatial carrier. Roy has an idea,
and offers to try with a "space Taxi", a small single space jet.
In the deep space, alone, in a dimension without sounds or colors, Roy
rides his "space horse" launching around small parts, bolts and
other small breakages, which disintegrate upon contact with the
fotonic barrier. With this simple idea he attempts to find the
passage and follow it. The crazy mission of Roy succeeds, and he enters
the spaceship, changing his coordinates and sending on a new endless
travel, far away from Earth.
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Curiosity
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My
father was very affectionate toward this his first film, and he often
spoke about it, and remembers it with pleasure. For many years he had
preserved the spatial helmets, the laser rifles made out of wood, and the
spaceships models. Some were in plastics, bought in a department store and
covered with aluminum foil to resist the acetylene flame which imitated
the propulsive jets. Others were made from wood and metal. They were
small and pudgy, but in the 60's, the experience of special effects of
that kind was almost nothing, and they improved by experimentation,
attempts or for intuition. The tricks were invented at the time, and made
with the poor things which were available. Antonio was using his great
imagination and ability instead of technical equipment and big
budgets.
For
example, he always told that in the bathroom of the Studios Titanus Appia,
named "Scalera", there was a lamp made by a big sphere of white
crystal, that he borrowed and, after painting it, illuminated it from
the inside to realize the planets. Something more, as I have already said,
the miniatures of the spaceships were very small, and there was the risk
of seeing the wires to which they were suspended, then Antonio had an
idea, (and from this you can tell that he was a sort
of genius between the pioneers of the genre):
"Because most
of the spectators, more accustomed to effects, try to see the wire,
looking above the models with attention, I've placed the wire on the
bottom part of the spaceships and makes the Camera work upside down.
Projecting in a normal way everything is returned to place, but the
wires were located in the lower part of the screen and almost nobody
noticed one."
By:
Edoardo Margheriti
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Reviews:
by Anonymous - California
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Genesis
of Italian space movies makes it to DVD!
Finally,
the genesis of Italian space movies makes it to DVD! An ace reporter (Rik
Van Nutter) is sent to space to record the daily lives of the
Cosmonauts(?) who labor millions of miles from earth. He is far from
welcome by the galaxy weary crew (who call him
"parasite") of the space station he is assigned too. To
make matters worse, he decides to tag along on a refueling mission without
permission, and causes the loss of precious fuel. Things just couldn't get
worse, or could they?
Alpha
2, an out of control spaceship with a heat producing "Photonic"
field is about to enter in to orbit around Earth, which would burn
everything on the face of the planet! The reporter and his new found
"friends" fly towards Mars to intercept and destroy the
spacecraft. Once they make contact with Alpha 2, they devise a plan to
exploit a flaw in the Photonic field to stop it, which takes the ultimate
sacrifice of a brave Cosmonaut, the pitching arm of another, and the deep
introspection of the rest.
"ASSIGNMENT:
OUTER SPACE" is definitely one of the wildest Italian
space operas. It's plot movement is slow at first, but when it kicks into
gear, it never stops. The laws of physics and space are discarded in favor
of cool space gadgets (like the Space Taxi) and traveling between two
space craft by merely floating from one to the other, which would become a
standard in the Margheriti brand of
space adventures. The special effects are a scream, especially when the
little tiny models of the Cosmonauts interact with the larger rocket ship
models. My favorite of these scenes is where miniature Cosmonauts fly out
to connect a very large hose to the tail pipe of a rocket ship to refuel
it. They just don't make 'em like this anymore. Music soundtrack fans will
recognize the same music queues found in PHANTOM PLANET from Gordon
Zahler's music library.
Okay,
lets talk about the disc. Other reviewers and myself have commented in the
past about how Alpha's releases are improving. For the most part, Alpha
has distinguished themselves with some of the best box art, and accurate
plot synopses. "ASSIGNMENT: OUTER SPACE"
takes it up another notch, as it is slightly letterboxed (after
the first couple of minutes) and includes the original theatrical
trailer! Keep in mind, I bought this DVD for $5. Alpha Video delivers more
than most studios do for 4 times the price! While the film element is
faded, almost devoid of color in some places, it is clear enough to be
enjoyed. Still better than any VHS copy I've seen, and the slight
letterboxing is sure appreciated. Audio quality is good, what you'd expect
from the film element. Also, Alpha has extended its chapter choices from 4
to 6, which is a nice improvement as well.
reviews
from the film page by Amazon.com - to Buy this DVD from Amazon.com follow
this LINK
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