|
The
first screenplay signed by Antonio Margheriti, produced by his friend
Gilberto Carbone, Line producer for Titanus. After this first experience
Carbone and Goffredo Lombardo, they will commissions to Antonio
other scripts, to be produced by Titanus and directed by Turi Vasile, who
will become one of the best friends of young Antonio Margheriti, and few
years later will produce his first film beyond the camera. |
Technical
Data
Title
|
Presentimento
|
Akai
|
n.a.
|
Genre
|
Drama
|
Year of Production
|
1956
|
Time
|
89'
|
B/W - Color
|
C
|
Distribution
|
Titanus
|
Produced by
|
Gilberto Carbone
- S.P.I.C. -
|
Director
|
Armando
Fizzarotti
|
Story by
|
Antonio Margheriti
|
Screenwriter
|
Antonio Margheriti
Armando Fizzarotti
|
Photography by
|
Raffaele Masciocchi
|
Art Director
|
Giuseppe Ranieri
|
Editor
|
n.a.
|
Music by
|
Carlo Savina
|

Cast
|
Rosario Borelli
|
Role
|
Massimo
|
Rita Rubirosa
|
Mariella
|
Tina Lattanzi
|
Marchesa
|
Gino Lattila
|
Mauro
|
Carlo Giuffrè
|
|
|
|
|
|

|
Story
|
|
|
Massimo, engaged with the daughter of the marquise De Angelis, falls in love with Mariella, a teacher, of modest family, which renders his love. The marquise, informed of the relationship between Massimo and Mariella, induces him to return to Salerno for marry her daughter. From the matrimony bears a baby girl, who is named Mariellina. Seven years later Mariella comes transferred to Salerno: in the meantime the wife of Massimo died. Between the students of Mariella there is a child, which everybody believe to be her cousin, but in the reality he's the son of Mariella and Massimo. His name is Massimino. A day Mariella confides to Mauro, who loves her silently since long time, her secret. Mauro offers to marry her and give his own name to Massimino; but Marcella is still in love with Massimo. Mauro then, following the impulse of his generous mind, approaches Massimo and reveal to him the secret that Mariella has confided him. Massimo and Mariella, finally reunited, could hope now in a future full of happiness.
|
Critics
|
"It's
one of the many films, where love and drama mix up by a conventional
scheme and Neapolitans love songs. . (S.C.)
|
|